People Jem Splitter It’s hard to write a biography for someone who lives their life by the tenet of “What Would Joss Whedon Do?” without writing a biography of, well, Joss Whedon. But to avoid resorting to the supreme arrogance of making the comparison between him and Joss, this much can be said of Jem: He’s lived a long, long time – considerably longer than most nineteen year olds (he’s twenty) – and spent most of that time inside some theatre or other. Indeed, most of that time has been spent on the stage, fooling about and making a general embarrassment of himself – so it’s about time he stepped behind the desk and started telling everyone else what to do. In this show, he gets to do both those things: firstly, by putting the words on the page, with the help of his colleague Will (and that fellow Wodehouse); and secondly, by yelling instructions to actors like “louder!” and “sillier!”, and occasionally instructions to designers like “greener!” and “sillier!” This, according to Jem, is most agreeable, and worth the stress, because he was going to lose all that hair eventually anyway. Something Fresh is the perfect show for him to start his directing career. He is, after all, not only affably and ineffably silly, but also a complete sap, and finds himself completely at home in the milieu of this constantly funny, completely adorable romantic comedy. I also enjoy wearing hats and confusing readers of short autobiographies. * * * Jen Speirs
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